
Claudio Parmiggiani: Senza titolo, 2014, campana di bronzo e corda. Courtesy Galleria Poggiali, Firenze.
In the past, in order to be recognised as an artist, it was necessary to exhibit in a prestigious gallery, to be included in a museum’s collection or, at least, to have an art critic write enthusiastically and in complicated words about the works and their meaning. Today, on the other hand, all it takes is a well-curated Instagram profile, a few viral reels and a catchy hashtag to win thousands of followers.
It seems that art has found its new digital temple, or perhaps we are reducing creativity to an eternal search for likes. In short, does an artist who isn’t on Instagram really exist?





